Some of the venues were before my time or I never made it to them such as the Cleveland Arena, Leo's Casino, La Cave, Gleason's, Empire Concert Club and others but it was interesting to read about their history and the music that was made there. I did get to Record Rendezvous but it was later on and at the Coventry location not the historic Prospect or Euclid Ave. places.
There's an old joke that "If you remember the '60s, you really weren't there." This book reminded me of a lot of great times and music from long ago. For example, I spent countless weekend nights at the Agora when it was on 24th and saw many of the big names. We were at the Coliseum for the Springsteen show and realizing that Southside Johnny was playing the Agora we sped downtown just in time for Bruce to join his pal on stage. What a night!
We saw big names like the Cars, Bowie, Meatloaf, Todd Rundgren, Blondie, Frampton and many others but most weekend nights were local bands. (Who was that band that did all the Alex Harvey covers?) Given that, the more frustrating chapters in the book are the ones that I had experience with.
Everyone who had a favorite hangout or memory will feel that the coverage in the book, if any, was inaccurate or not enough. I have tons of Agora stories. I was an apprentice electrician while going to school so I was backstage for the World Series of Rock concerts at the Stadium and have stories that you would not believe. So the coverage was frustrating that my experiences weren't included but the book sure pulled them out of my memory bank.
Lots of new stories too. For example, it was cool to read about Led Zeppelin playing Musicarnival on July 20, 1969 and cutting the show short so they and the audience could watch the moon landing. I wish some of the Front Row stories I experienced were included. And what about Peabodys, the Pirates Cove, Brothers Lounge, Smittys on 55th, House of Swing and others?
So much more happened at the Euclid Tavern and other venues than what is included in the book. I recall when a guitar player named Stevie Ray Vaughn played the Variety and the entire audience was made up of local musicians - mainly guitar players. Nobody else knew who he was at the time.
Don't get me wrong. I enjoyed the book and recommend it to anyone interested in the growth of the music industry and the bands and players that were part of it. Especially if you are of a certain age and spent time going out in Cleveland. It will bring back a lot of memories.
The problem is I want more. Most of those venues require their own book. So get to work Mike and crank out some more.
By the way, did I tell you about the time at the World Series of Rock when I gave The Cars stage fright? Maybe in the next book.